
"After the literary critic Anatole Broyard died in 1990, his family arranged a memorial reception at a suburban Connecticut yacht club. It was a club that claimed to have no black members until, after Mr. Broyard’s death, his mixed racial lineage was made known. After that, the club cited him as evidence of integration." Don't you love the many levels of racial commentary and irony rife in this passage from Janet Maslin's review of Bliss Broyard's One Drop? That's in the NYC glamour millieu, between Sex and the City's Kristin Davis (who is an honorary sista owing to her ample butt) and Ethan Hawke (who became an honorary negro in Training Day). ;-) The perfidity of the club in that quote is truly inspiring. However, if you're "black," then the club's response is also carries a whiff of well, banality. Some white folks would shrug and say "Huh? How is that banal?" I wonder what mixed folk would say? Would it be an ambivelant tug: confusion, yet mixed with an uncomfortable, knowing twinge?
Switch gears with me on my offense rant-mobile for a sec. See, one thing more annoying than snooty insouciance, limousine liberalism, hypocrisy and smarmy tribalism of Hollywood is the snooty insouciance, limousine liberalism, hypocrisy and smarmy tribalism of the book world.
Bliss Broyard is a critic and used to be an editor at the New York Times Book Review. The NYT Book Review is Mt. Olympus, Asgaarde, The Happy Hunting Grounds for lit types; oh to have wink or nod or blurb directed at you as an author you've truly arrived. Might not translate into sales from the sweat pants and flip flop crowd who now make up the book buying market at Costco, but it'll get you noticed by the insiders. Bliss's colleague, Jant Maslin, truly bites cheese: "[Anatole Broyard's] smart, tough-minded daughter, Bliss Broyard, [wrote] “One Drop,” an investigative memoir about her father’s life. (Mr. Broyard was a longtime book critic and editor for The New York Times and an essayist for its Book Review.) As this fascinating, insightful book makes clear, Mr. Broyard left a legacy of racial confusion and great autobiographical material, not necessarily in that order..."
I wish I had friends like that, enabling my manufactured self-examination and family hypocrisy and allowing me to make some bucks off of it. See, her daddy was a sorta mean, sorta siddity fellow who passed for white and sprinkled his family with the best the elitist literati millieu the Manhattan-Hamptons-Connecticut axis could offer. Here's what Bliss says, now she's a sista, fo' sho': "At first, I felt a lot of pressure to give the 'right' answer. Now I think there is more than one way of being black. Look at Barack Obama." Jesus Christ! Of course then she goes on to say she's actually "mixed." And in interviews she does the usual "mixed is exotically cool...but race doesn't matter anymore" dance. Sort of the way Halle Berry does, or crazy-ass Mariah Carey, or ambiguous Jessica Alba.
Well then, if it doesn't matter, Bliss, then why'd daddy try so damn hard to squelch it? Y'all weren't living in Tennessee in 1898 and tried to ride the white car on train with Mr. Plessy, after all! If the blackness part is uncool and unexciting, then why write a book and promote that dark (hahaha) angle? White folks are buying it so there must still be something to this black thing despite it being passe or not important anymore. Like Halle's thing. Oh this race thing doesn't matter, she says on Oprah to the applause of the chunky white housewives in the audience. Yet in the same breath she says producers never think of casting her first. She always has to come in and audition while a dingbat blonde Cameron Diaz type gets the part automatically. Oh yeah, the blackness thing.
Look, we're all mixed with something. And according to the genetic history of the human race, if you trace our mitochondrial DNA back far enough all homo sapiens are more or less cousins. Screw science. Let's talk real life. I'm the last person to begrudge or bemoan bi- or multi-racial people...despite what I say above hahahaha. I clearly don't look black (to a lot of silly whitefolks); I am thus mixed as you can get. "Light-skin-ded wid dat Good hair" as Richard Pryor's "Mudfoot" once expounded. And I'm proud uncle and second cousin to a whole slew of our family's own little brood of kids who carry the blood of many cultures--my sister in law is white, as is my cousin's hubby. But this makes me cringe: people who to prattle on about their mixedhood, or identify themselves, disingenuously or selfdelusionally (n.b. Tiger Woods) so to a cloying degree. Indeed Tiger and may of these folk often play into the hands of racists: not black folks who are insance, but old fashioned white right wing clowns with agendas. And don't tell me blackness doesn't matter when you loak yourself in the profits and attention you get by exploiting this thing that supposedly doesn't matter. Tiger'd just be a phenom if he wasn't BLACK. Now he has that extra dimension that made him the stuff of ratings and readership. In the film Things We Lost in The Fire, why couldn't Halle have beenmarried to a successful BLACK man. Why my Princeton classmate (who snarkily missed our big Reunion) David Duchovny? Oh, because race does matter. Then it would be a Tyler Perry-bamma-esque flava'd romp that just happened to include Benicio Del Toro and we in Hollywood, just like we in the book world, have a marketing and stereotype template for that, so let's NOT mix it up. I can see the producers eeting over soy lattes now: Let's fit Halle in somehow but still keep it a white movie. Ahhhhhhh. Now I see...
Okay, so I cringe at that. I FALL-OUT at folk like Bliss who says she's an "Obama" negro. I wonder what Barack's saying to that?I guess he feels a little less "black" and more mixed based on that analysis. Outside of Hollywood and the hip hop world run by white institutional investors by the way, or the literatti orbits in Manhattan, it's still a burden to be black. if you're mixed I can understand the allure of not totally commiting to the bruvahs. Yes, there is history, both brutal and beautiful. There is heritage, both inspiring and horrid, or in some instances utterly embarassing. We have our dirty laundry in that vein and thus it becomes YOUR dirty laundry too, mixed folks. By declaring and profiting off you mixedhood, that doesn't erase the history and the heritage, or you obligation to clean the dirty laundry. Indeed, you ARE part of the dirty laundry when you point out, as Bliss does, that her father's folk were "Creoles" a la Jellyroll Morton, and thus had this paperbag test disdain for the evil blueblack liver-lipped crowd, I suppose. Well even as flawed as he was, Jelly contributed to his peeps' (where they then, is peeps? This is soooooo confusing!) culture and in the process gave black folks and in turn the world, the only truly American art form: Jazz. And back to my thesis--then you turn around and make money off of it? Jelly made a living not from running away from or minimizing or exploiting his "black" blood. He embraced it. It drove him nuts, but he did it. He tried to understand what it meant to be the descendant of slaves in the New World. It was reflected in his passion and pain. I just want Bliss to immerse herself in that passion and pain...yes and conflict, ambivalence...just for a little while. Then go call yourself whatever you wish and I'll buy your book and applaud you.
I dunno...now's about the time you should really be calling me an asshole. But isn't it better to get folks to stop bullshitting each other or themselves--even if that bullshit is accompanied by a wink and nudge? And please don't show me true temerity by getting PAID for this bullshit. Don't softball your colleague, as Janet Maslin did for Bliss. Hell, I say let "Skip" (Prof. Henry Louis) Gates, who "outted" (and that's the term Bliss and white folks use) Bliss's daddy and God bless him for it, write the review! Yeah, a BLACK person, or someone who identifies him/herself as so in their hearts, if not in their blood. Think of the insights. The debate. The passion. But alas, most of these essays on race are not truly written with "blacks" in mind as the audience. After all, it's the New York Times Book Review. Us niggahs don't read no New York Times! Wez snatching The Source off the newstand with that copy of King whut got dat bitch Megan Goode's titties 'n ass on the muvf*ckin' cover, and then we gonna play HALO all muvf*ckin' night till we roll out to da club...and then go to church on Sunday...
Be yourself. Know yourself. Just don't play. Don't believe one thing, hide behind those beliefs, then create a whole 'nother ethos that you profit from. That's just plain Mixed Up...